Bohemian Rhapsody is a film that has been highly anticipated ever since it was first announced. Such legends deserve a paying tribute containing some soul, some substance. It depicts the […]
Category: Features
The Yorker at LIFF 32: The State Against Mandela
Nicolas Champeaux and Gilles Porte use newly available audio recordings and animated graphics to reconstruct a dramatic apartheid-era court case. Although I’m aware of the many documentaries about Nelson […]
The Yorker at LIFF 32: Colette
“Colette”, directed by Wash Westmoreland and starring Keira Knightley is based on the life of the foremost female French novelist. What an incredible film. I normally despise period dramas. I […]
Worldwide Watchlist: Denmark
Here at the Yorker we can’t live without new experiences, adventures and discoveries. So why not come along with us on a unique trip: a movie trip, on a quest […]
Review: The House With a Clock in Its Walls
The House with a Clock in its Walls is made by Eli Roth (Death Wish, Hostel), one of Hollywood’s most celebrated directors, and it presents an outstanding cast – so […]
Worldwide Watchlist: France
So here we are in September: university, work, grey weather… It’s all back, and soon our holidays will seem distant memories. But luckily for you, here at the Yorker […]
Review: The Guilty
An emergency hotline operator takes a terrifying call and decides to solve what seems like a kidnapping situation by himself. The Guilty is a beautiful combination of simplicity and complexity. […]
Review: The Guernsey Literary and Potato Peel Pie Society
The Guernsey Literary and Potato Peel Pie society is an enjoyable but frankly unmemorable film. A period drama set in England in the aftermath of World War II, it […]
Review: The Shape of Water
Guillermo del Toro’s name has become synonymous in the cinema world with chilling horror that plays with our expectations and alters the audience’s perceptions. His latest film is a […]
Review: Star Wars The Last Jedi
I’ve often wondered what it was like to watch The Phantom Menace in the cinema. Sitting down after so much build up, only to face two hours of VFX fetishism, […]